3D: From Asset Creation to Projection - Part One
Runtime: 04:47

• Jill Smollin, Education Director, HD EXPO introduces the panelists
• Rob Engle, Stereographer and Digital Effects Supervior, introduces the panel and panel topics
  

3D: From Asset Creation to Projection - Part Two
Runtime: 07:15

• Kenn McDonald, Animation Supervisor, explains how the facial data was captured and processed, the development of the Beowulf facial rig and demos a shot from raw motion capture to finish.
  

3D: From Asset Creation to Projection - Part Three
Runtime: 07:31

• Kenn McDonald, Animation Supervisor, continues to demo the evolution of taking a shaw from raw motion capture to finish.
  

3D: From Asset Creation to Projection - Part Four
Runtime: 09:30

• Brian Steiner, CG Supervisor on the 2D portion of Beowulf, talks about the assests received from other departments necessary to doing the lighting as well as the process of lighting and compositing the film.
  

3D: From Asset Creation to Projection - Part Five
Runtime: 10:05

• Rob Engle, Stereographer and Digital Effects Supervisor explains the difference between his roles on the film, the project as it was introduced to the panelists, some of the challenges they've faced, and a brief overview of the tools they have at their disposal for creating such a film.
  

3D: From Asset Creation to Projection - Part Six
Runtime: 06:57

• Layne Friedman, one of two 3D CG Supervisors on Beowulf, talks about 3D shot assignments, shot setups for 3D, techniques for producing the elements, dealing with compositing issues for 3D, matte paintings and image warping, altering depth of field, and dailies/shot reviews.
  

3D: From Asset Creation to Projection - Part Seven
Runtime: 06:59

• Layne Friedman continues his explanations of the issues and difficulties faced by artists in creating a 3D film.
  

3D: From Asset Creation to Projection - Part Eight
Runtime: 04:04

• Layne Friedman talks about dailies and shot reviews during Beowulf
  

3D: From Asset Creation to Projection - Part Nine
Runtime: 06:46

• Audience Q&A including edits to maintain a PG-13 rating, compositing & lighting systems, interaxial camera distance versus interoccular distance, and differences between the IMAX and RealD versions.
  

3D: From Asset Creation to Projection - Part Ten
Runtime: 05:03

• More Audience Q&A including digital 3D projection versus IMAX, 'best' versions of the film, difficulties with rerendering & reprojecting, animating the stereobase and the interaxial convergence space, availability of home theater 3D.